Rumours ~ The Review

Listen to Rumours Film Review @ 41:38

Maybe we could use a bit of political satire right now. You know, enjoy a laugh here and there given this new changing of the guard on the horizon for 1600 Pennsylvania Avenue. Canadian directors Guy Maddin, Evan Johnson, and Galen Johnson have produced a spoof of sorts called Rumours, a collaboration that delivers an immersive cinematic experience that pushes the boundaries of conventional storytelling.

Rumours weaves a kaleidoscopic narrative, blending surrealist imagery, fragmented storytelling, and a dense, dreamlike atmosphere around a fictional G7 summit, a gathering of 7 leaders of the world who have assembled in a chateau in the small town of Dankerode, Germany to discuss well, world leadership. Maddin and Crew blend absurd political comedy with elements of horror, science fiction, and surrealism.

Leaders from the United States, Canada, France, the United Kingdom, Italy, Japan, attend the summit as well as the European Commission’s Secretary-General.

The film’s premise is as elusive as its execution, built around the concept of hearsay and half-truths. The narrative unfolds in a fragmented manner as characters drift in and out of the story like ghosts. Their dialogue isn’t for us; they’re preoccupied with their own insular circle. Whispers and distorted audio fragments bring to relief animated yet hollow people who just happened upon luck and were anointed their country’s leader. They lack substance and direction, and mumble about inconsequential things. What is worse, they aren’t planning anything—no strategy. No missives. No future plans. To the point: What’s the crisis?

All leaders are stranded in the woods somewhere out there in Dankerode, Germany, and, as usual, when night comes no telling what kind of things arrive to greet you. The sound design plays a crucial role in immersing the viewer then catapulting the senses into a realm of darkness, uncertainty, and fear, creating a disorienting atmosphere wrapped in a feeling that the sounds are reaching out from a distance heightening the film’s ghostly mood. There’s even a bit of the absurd! Just imagine discovering a something or other the size of an asteroid plunked down in the forest.

It doesn’t stop there. Shadow or bog people lurk about the fog-laden forest in the night. These ancient mummified figures that represent a preserved though buried history juxtaposed modern political ineptitude. More broadly, The Bog People are part of the film’s critique of leadership and communication failures.

The Film stars Cate Blanchett, Nikki Anuka Bird, Charles Dance, and Takehiro Hira.

Rumours plays through Thursday, November 28 at The Ross Media Arts Center in Lincoln

Also playing at The Ross through December 5 is Anora, Sean Baker’s audacious, thrilling, and comedic variation on a modern day Cinderella story.

For Friday Live! I am Kwakiutl Dreher

Blue Jasmine @ The Ross

Cate Blanchett as Jasmine

Cate Blanchett as Jasmine

Woody Allen has hit a nerve in his film Blue Jasmine, and that nerve is in the vein of Tennessee Williams’s story A Street Car Named Desire. Jennifer oh, er, excuse me, Jasmine (played by Cate Blanchett) arrives in San Francisco on the doorstep of her sister, Ginger (played by Sally Hawkins) in an attempt to put her life back together (or what’s left of it) after her husband Hal’s (Alec Baldwin) suicide in jail. Jasmine and Hal were the elite of New York socialites only to find their world torn apart by divorce, infidelity, and the discovery of a Madoff-like Ponzi scheme ran by Hal.

Jasmine and Hal (Alec Baldwin) in New York

Jasmine and Hal (Alec Baldwin) in New York

As does Tennessee Williams, Allen explores what happens to a person’s psyche once she has been excommunicated from the very entities and people that made her the ‘who’ of who she is. Yes … sigh Jasmine has had a great fall, and all of Hermes, Chanel, Louis Vuitton, Fendi, Carolina Herrera cannot put her back together again. It is interesting that Allen moves out of his beloved New York and settles Jasmine in San Francisco, the leading financial and cultural center of northern California, for her to attempt to put together her emotional and psychological pieces. Allen’s lighting choices of highly saturated primary colors and complementary colors underline the pathos of Blue Jasmine in cool San Francisco. Allen, however, contrasts the experience with soft hues when he cuts to New York to show Jasmine and Hal at the top of their high society game. The flashbacks make for a very razor sharp viewing experience.

Jasmine arrives in San Francisco

Jasmine arrives in San Francisco

Blanchett’s performance is as a marionette lacking some of its strings and controlled by an inebriated manipulator or puppeteer. It’s a bothersome psychological dance, and Blanchett would have done well to consider a crescendo rather than a knee-jerk move into her psychosis. Kudos to Andrew Dice Clay, who plays Ginger’s ex-husband Augie. Clay’s Augie carries a controlled but haunting financial defeat after taking investment advice from Jasmine and Hal.

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Blue Jasmine plays through September 13 at The Ross in Lincoln.

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