Maleficent ~ The Skinny

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Meet Guest Reviewer Lena Sledge, filmmaker at Sonny Brook Productions. Read her skinny on Maleficent, starring Angelina Jolie, Elle Fanning, and Michelle Pfeiffer.

℘It’s a white savior film that relegates people of color to the margins and makes them supplementary to their white counterparts. Even in battle, the black warriors are not given the ability to soar with their white counterparts, additionally characterizing them as underlings in their own culture.

Connal (Chiwetal Ejiofor) — the supposed most powerful of the Dark Fey — has his eyes on what is happening to his people. His keen senses account for his forethought to rescue Maleficent from the deep. He is killed, however, while protecting her. That is a disappointment.

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Chiwetal Ejiofor as Connal, the Dark Fey

The aggressive white male, Borra (Ed Skrein), however, causes disruption and chaos; he calls for war. He even excels in battle. Borra’s character arc allows him to evolve, while Connal, the leader and wisest of their people, dies with no fan fair or transformation. The film, in addition, wrestles from the black female elders their powers no matter that they band together to save Connal.

In essence, Maleficent’s  narrative is subservient in its message: Black people, their sacrifices, contributions, and abilities, are a means to an end that serve to propel white voices and accomplishments to the center while marginalizing those who are making the greatest sacrifices.℘

Lena Sledge is the director of Sense of Self, her new film about finding inner happiness. For more information on Lena Sledge and her project, ‘Like’ Sonny Brook Productions on Facebook and SenseofSelfMovie on Instagram.

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Watch for in-depth Film Television & More reviews and commentary from The Dreher Report.  In the meantime, Catch a film. Watch some TV. Share the Popcorn. Feed Your Soul!



Harriet ~ A Review

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John (Zackary Momoh) and Minty (Cynthia Erivo)

The jewel in Harriet is black love. The film opens with it. As I watched John and Minty/Harriet Tubman love up on each other in the establishing shot, I did not care what happened next. I just didn’t. They hugged–tightly. They kissed–passionately. They hugged again–tightly. He, a free man, married an enslaved woman. She, after taking her freedom, came back for him. Yes, he did what he did later but only on news of her “death”.  Then, to see her father — to see the love in his eyes for his girl and the trust he had in her decision to run — I thought of my own father.
Harriet Tubman was loved. She was respected. She was believed in and on. She was trusted. Her mother loved her and said it. Her father loved her and said it. All of her brothers and sisters loved her and said it. Her husband loved her; believed in her. He would have died for her, if she had let him. The pastor loved and believed in her. It is he who entrusts her with the routes and names of people who will facilitate her journey. Those enslaved believed in her. All hugged her neck on every visit. Be not mistaken: Harriet Tubman loved them back. Harriet is love.
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Minty/Harriet w/ her pastor Rev. Green (Vondie Curtis-Hall)

What struck me was how the men–black and white–protected her. Oh. How they protected her. A white farmer knows Harriet is hiding in the back of his wagon but, to paraphrase Zora Neale Hurston, he ‘takes her a piece of the way with him’ then moves aside for her to continue on her mission. After witnessing the beauty of Harriet’s crossing of the river, another young black man joins her venture. Later, he provides safe passage for her family. There’s more. White men in Philadelphia draw their rifles on her enslaver when he tries to kill her on the wharf.  In tandem, the young black men on the docks in that same city secure her safety. That’s love.
The director, Kasi Lemmons, has prepared for us a most refreshing dramatization of the community of enslaved people that thrived during a time when white plantation owners considered people of African descent nothing but property. She also takes us on the inside of the free black community in Philadelphia and portrays their support of the enslaved who dared to take their freedom. Marie Buchanan, a free-born black woman in Philadelphia, embraces Harriet in her home as she would a sister. In addition, Lemmons makes known the white Americans, across social class, who, in their own way, resisted the institution of slavery; that there were black men–young men–who, in this story, made possible Harriet’s successful enterprise.
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Marie (Janelle Monae) teaches Harriet

On the whole, Harriet tells us that when you are loved up on and validated in your own church, community, and family, you can cross the river to the other side and with others in tow. You can return again and again. You can live to tell it. That’s love.
Let us pray.

Where’s My Roy Cohn

A Review

Listen Here @ 1:00:07

Joseph McCarthy. Julius Rosenberg. Ethel Rosenberg. Espionage. Rupert Murdoch. John Gotti. Homophobia. Master Manipulator. Ronald Reagan. Donald Trump.

Each term. Each person. Line ’em up. Then wait. Just wait. One slip of a man will emerge from the bushes: Roy Cohn, the notorious attorney extraordinare who came of age and gained power and influence during a most infamous time in the history of the United States: The McCarthy Era.

I did not know Roy Cohn; but the House UnAmerican Committee lead by Joseph McCarthy, I knew all too well. I learned of Julius and Ethel Rosenberg but had no idea the man behind that moment in our history. Even when Donald Trump asked “Where’s My Roy Cohn” after the former Attorney General Jeff Sessions recused himself from the Russian investigation in 2017, Roy Cohn did not ring a bell.

Matt Tyrnauer’s documentary Where’s My Roy Cohn brings to relief Roy Cohn, a mastermind … a shadow of sorts lurking within the vein of the most recognized moments in our history. Tyrnauer’s Cohn is assured, Columbia University educated, and an aggressive craftsman in the art of manipulation. His tactics? Admit nothing. Apologize nevah! Lie and lie no matter the truth. Smear your enemies. Disparage the press. Go on the offense—immediately.

Where’s My Roy Cohn is a study of a product of capitalism—what that system can produce and what it will allow to have full reign in the halls of power.

Where’s my Roy Cohn is an exploration of the arrogant disregard for the law to such an extent that people, such as mob boss John Gotti, called on him for a defense.

There is no doubt Tyrnauer’s political leanings, but the director courageously offers up an incisive documentary raid on the personal life of Roy Cohn. Call him the devil. Call him evil. But there is one fact you cannot deny him: Roy Cohn was a shrewd and talented engineer of the maneuver and influence. He understood full well how far a system could bend. When it was rumored that he had contracted AIDS, he merely replaced them with his correct diagnosis: he had liver cancer.

Special to Where’s My Roy Cohn are the commentaries from his family, and from columnists such as the late Liz Smith, writer Ken Aluetta, radio personality Sam Roberts, and Donald Trump’s former longtime political advisor Roger Stone.

The beauty of Where’s My Roy Cohn resides in the knowledge of just how this kind of personality works; its strategies and maneuvers … you won’t be caught off guard again. After viewing Where My Roy Cohn, I wanted to hug every single person who had been kind to me and for those who had tripped me up on their evil, I can now say, and say it with a smile: I see you! Just as did Martin London who successfully engineered Roy Cohn’s disbarment in 1986 for unethical conduct. Five weeks later, Roy Cohn died of complications from AIDS on August 2, 1986 in Bethesda, Maryland. He was 59 years old.

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